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Work - Pink Floyd - Pink Floyd Amsterdam 69



Label: Fan Club Recordings - CDLAS 080-2 • Format: 2x, CDr Album, Unofficial Release • Country: UK • Genre: Rock • Style: Psychedelic Rock
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8 Replies to “ Work - Pink Floyd - Pink Floyd Amsterdam 69 ”

  1. Meztisho says:
    Oct 21,  · This video is unavailable. Watch Queue Queue. Watch Queue Queue.
  2. Voodooshura says:
    Mar 21,  · Time, Money & Another Brick in the Wall, Pink Floyd lover guitar voice, Pantheon Rome Italy - Duration: Dorin Ionescu 3,, views.
  3. Akinokora says:
    Aug 23,  · The period, all the way up until when Dark Side came out and changed their fortunes forever was very much hit-or-miss. And this concert from Amsterdam proves that point. It’s Pink Floyd during a period of transition – and it may seem strange to fans of the group after But it’s a pivotal period for the band.
  4. Fejin says:
    View credits, reviews, tracks and shop for the CD release of Amsterdam '69 on Discogs. Label: The Swingin' Pig - TSP-CD • Format: CD Unofficial Release • Country: Luxembourg • Genre: Rock • Style: Psychedelic Rock, Prog Rock Pink Floyd ‎– Amsterdam '69 Pink Floyd: Pink Floyd Amsterdam 69 /5(12).
  5. Dutilar says:
    "Amsterdam '69" is one of about 4 known performances of "The Man" and "The Journey." This roio contains all but the final three parts of the the show, as it does not include "The Pink Jungle (Pow R Toc H)," "Behold the Temple of Light," or "The End of the Beginning (Celestial Voices).".
  6. Nenos says:
    Pink Floyd Concertgebouw Amsterdam September 17th A two disc release; Disc 1 - The Man Disc 2 - The Journey Includes a list of British tour dates although not the concert from which this recording was taken.
  7. Tausho says:
    Amsterdam 69, a Bootleg of songs by Pink Floyd. Released in on Harvested (catalog no. HRV CDR ; CD). Genres: Psychedelic Rock, Experimental Rock.
  8. Nikozshura says:
    Dec 21,  · Disc 1 contains the September 17th, performance of Pink Floyd’s conceptual piece “The Man-The Journey” in Amsterdam, which culled together material both new and old into two lengthy suites, included a number of props/actors in live performance, and featured the bands’ Azimuth Coordinator heavily (essentially an early surround sound system that enabled the band to rotate and .

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